refining ideas for play called GRUESOME PLAYGROUND INJURIES

showing caster options to the director of an upcoming production of GRUESOME PLAYGROUND INJURIES at Connecticut College

these are copied from a New Yorker cartoon. I lost the magazine on the subway and can't recall the cartoonist's name. My current drawing canvas is a recently discovered high school chemistry book.

rough sketch for my design of UNCOMMON WOMEN AND OTHERS for Atlantic Acting School.

The play takes place in a dorm at Mount Holyoke College in 1970. Oh, and the budget is a whopping $800

last night I saw POSTERITY at Atlantic Theater Company. Set design by Derek McLane

for a project in development called Port Cities NYC. Rough sketches to polished sketches

sketch of my design for BUDDY: THE BUDDY HOLLY STORY at Casa Manana in Fort Worth Texas. It goes up in May. I'm working on the color model this week.

rough subway sketch on used paper for an installation on a Red Hook pier. The project is called Port Cities NYC and will hopefully go up this fall.

My sketch from intermission at AN OCTOROON at Theatre for a New Audience. Wonderful set design by Mimi Lien: http://www.mimilien.com

sofas in a field. why? dunno.

some rough sketches from the tech table. These are some of Moria Clinton's costume designs for Peerless at Cherry Lane.

The top image is done on top an older sketch of a set for THE NUTCRACKER.

My final design for a play called PEERLESS that opened at Cherry Labe last night.

this week I'm working on the set design for BUDDY: THE BUDDY HOLLY STORY for a theatre called Casa Mañana in Fort Worth, Texas

some subway sketches of FUERZA BRUTA WAYRA. The creative/artistic director is Diqui James, and there's no specific designer listed on their website. The piece is spectacle at its finest.

some preliminary sketches for a play called GRUESOME PLAYGROUND INJURIES at Connecticut College.

these are my copies of a wonderful illustrator named Sarah Markes. She's based in Dar es Salaam, Tanzania. Her book about that city is called Street Level. The sketches are on top of old notes and working drawings.

My friends' baby is recovering from heart surgery, and another friend suggested I do a drawing for the parents. #prayerforwesley

Sitting in the dark at a tech table I like to sketch the people onstage. These sketches are done on top of old working drawings and punch lists.

My design for act 1 of Beth Henley's THE MISS FIRECRACKER CONTEST at Muhlenberg College. It opens this weekend.

the next couple of days I'll be working in Kara Walker's studio to flesh out her design for Norma which she is directing and designing for La Fenice in Venice. This is my sketch of her A Subtlety: or the Marvelous Sugar Baby

studio setup for a documentary shoot that was cancelled

so for a hot second I was going to design a play that takes place in a church. The play got cancelled, but I sat in some church pews as research. Here are the

sketches from those site visits.

rough sketch to show my assistant at Connecticut College how to make a 20' tall Eiffel Tower out of Christmas lights and spare conduit. This was followed by real drafting but conveys most of the necessary information.

from the archives: my design for THE TEMPEST at Interlochen Shakespeare Festival in June 2014

my design for a production of JAMES JOYCE IS DEAD AND SO IS PARIS: THE LUCIA JOYCE CABARET at Connecticut College, February 2015. This is a fantastic devised piece by Pig Iron theatre, and I can't wait for the kids at ConnColl to sink their teeth into it.

from the 2010 archives. I just found these sketches for a school project of Beethoven's FIDELIO

last Friday I saw this amazing installation  by a group called Temporary Distortion

It is a mirrored room with audience on both sides. Fantastic sound design by John Scully.

rough design ideas for a play called THE PAVILION at The Barrow Group that goes up in June. Design meetings start soon.

Another sketch for a play at Cherry Lane

sketch for PEERLESS at the Cherry Lane Theatre